ALL SAINTS SUNDAY
Prayer of the Day: Almighty God, you have knit your people together in one communion in the mystical body of your Son, Jesus Christ our Lord. Grant us grace to follow your blessed saints in lives of faith and commitment, and to know the inexpressible joys you have prepared for those who love you, through Jesus Christ, our Savior and Lord, who lives and reigns with you and the Holy Spirit, one God, now and forever.
“Then I saw a new heaven and a new earth; for the first heaven and the first earth had passed away…” Revelation 21:1.
“Spoiler alert” is term used by book reviewers and film critics warning their readers that they are about to disclose events, episodes or other accounts in a work of fiction that might betray its ending and thus ruin the suspense, surprise and enjoyment of that work for the prospective audience. I can understand the concern here. One of the fiercest arguments I ever had with my younger sister (of which there were many) was on the day she disclosed the ending of J.R.R. Tolkien’s Lord of the Rings trilogy while I was just half way through the second book. I cannot say that the book was completely spoiled for me. But the sharp edges on the elements of suspense and the element of surprise had been substantially blunted. Knowing that Frodo’s mission would succeed, that he and his companion Sam Gamgee would survive and how the power of Sauron would be broken took much of the wind out of the books’ sails.
Of course, it is one thing to read the story and quite another to be a character within it. When you stand within rather than above the drama, you desperately want a spoiler. You want to know how things that affect you are going to turn out. Frodo, Sam and all the other protagonists of Middle Earth would no doubt have been greatly relieved to know that their efforts, sacrifices and struggles would finally pay off. But when you are in the midst of a story, you cannot know when, how or under what circumstances it will end. You have no way of knowing whether you are living a comedy or tragedy. This is all reminiscent of the ancient tale of Croesus and Solon.
Croesus was the last king of Lydia, proverbial for his enormous fortune. Solon, on the other hand, was one of the Seven Sages of Greece, the philosopher-statesman who first laid down the laws which shaped the Athenian democracy. Solon visited Croesus at his palace in Sardis. Croesus entertained the philosopher for two nights and ordered his attendants to show him around his treasures. The king asked Solon whether he knew of any man happier then him. Solon gave several examples of persons who had lived nobly and died. None of them was rich or powerful. The exasperated Croesus fairly shouted, “but can you deny that I am surely the happiest man living?” Solon replied that, surely, the king had known wealth, power and success beyond his peers. Nevertheless, a person never knows what tomorrow will bring. Thus, said Solon, “you should count no man happy until he dies.” Not long afterward, Croesus’ son went hunting and accidentally wounded himself fatally. Cyrus the Great, king of Persia, attacked Lydia and conquered it. Croesus narrowly escaped being burnt to death and spent the remainder of his life as a prisoner of the Persian king. That his beginning was so very glorious only made his end the more bitter.
None of us knows how our story will end. What we wouldn’t give for a spoiler-some indication of how things will play out for us! The Book of Revelation, from which our second lesson is taken, is something of a spoiler. It discloses how everything ends. The old will give way to the new. God’s dwelling will be among God’s human creatures. Death will be no more. Every tear will be wiped from every eye. Mourning will give way to rejoicing. Pain will be forgotten. That is how it all ends. Evil, suffering and death will have their say, but they do not get the last word. That belongs to the One who says, “See, I am making all things new.” Revelation 21:5.
Of course, this is a very long story of which we are all a very short part. Moreover, we have no idea where we are in the story of God’s creative and redemptive dance with the world. Are we closer to Revelation, as many “end times” preachers would have us believe? Or are we closer to Genesis with millennia left to go before God is all in all? If Jesus himself could not answer that question, it is highly doubtful that any of the rest of us can. We are consigned, it seems, to living in what pastor, teacher and theologian Dietrich Bonhoeffer has termed, “the anxious middle.”
Our gospel lesson addresses our anxiety with the promise that Jesus is “the resurrection and the life.” Throughout John’s gospel, disciples are encouraged to “abide” in Jesus. Jesus promises that through the promised Holy Spirit, he will “abide” in them just as he “abides” with his heavenly Father. We are therefore assured, not only that the great story will end in a new heaven and earth in which death, suffering and mourning are at an end, but also that our little stories, however broken and sorrowful they might be, will be redeemed and woven into the fabric of this new creation.
On this All Saints Sunday, we are reminded that we are part of a story bigger than ourselves, a story that begins with the creative love of God and ends with God’s eternal embrace. Here is a poem by Stephen Dobyns speaking to the fraught and conflicted stories that have made and continue to make the long story of human existence.
Long Story
There must have been a moment after the expulsion
from the Garden where the animals were considering
what to do next and just who was in charge.
The bear flexed his muscles, the tiger flashed
his claws, and even the porcupine thought himself
fit to rule and showed off the knife points
of his quills. No one noticed the hairless creatures,
with neither sharp teeth, nor talons, they were too puny.
It was then Cain turned and slew his own brother
and Abel’s white body lay sprawled in the black dirt
as if it had already lain cast down forever.
What followed was an instant of prophetic thought
as the trees resettled themselves, the grass
dug itself deeper into the ground and all
grew impressed by the hugeness of Cain’s desire.
He must really want to be boss, said the cat.
This was the moment when the animals surrendered
the power of speech as they crept home to the bosoms
of their families, the prickly ones, the smelly ones,
the ones they hoped would never do them harm.
Who could envy Cain his hunger? Better to be circumspect
and silent. Better not to want the world too much.
Left alone with the body of his brother, Cain began
to assemble the words about what Abel had done
and what he had been forced to do in return.
It was a long story. It took his entire life
to tell it. And even then it wasn’t finished.
How great language had to become to encompass
its deft evasions and sly contradictions,
its preenings and self-satisfied gloatings.
Each generation makes a contribution, hoping
to have got it right at last. The sun rises
and sets. The leaves flutter like a million
frightened hands. Confidently, we step forward
and tack a few meager phrases onto the end.
Source: Poetry (October/November 1987). Stephen J. Dobyns (b. 1941) is an American poet and novelist born in Orange, New Jersey. He began his education at Shimer College but transferred to and graduated from Wayne State University in 1964. He received an MFA from the Iowa Writers’ Workshop at the University of Iowa in 1967. He has worked briefly as a reporter for the Detroit News. Dobyns taught at numerous academic institutions, including Sarah Lawrence College, the Warren Wilson College MFA Program for Writers, the University of Iowa, Syracuse University and Boston University. Dobyns has written twenty-four novels in a variety of genres, fourteen poetry collections and two non-fiction works about the craft of poetry. You can read more about Stephen Dobyns and sample more of his poetry at the Poetry Foundation website.





